OverTone DSP

PTC-2A
An outstanding plug-in inspired by one of the most sought-after vintage equalizers. Separate low frequency boost and attenuate controls shape the classic signature sounds, while a transformer-coupled valve / tube amplifier emulation further enhances the vintage qualities. Innovative processing replicates the desirable analogue filter character, without additional latency or high CPU demand. Perfect for adding that big studio sound to 'in the box' mixes.
 
PTM-5A
Based on the vintage Pultec MEQ-5 mid-range EQ, the PTM-5A emulates the sought-after passive filter character, providing a versatile equalizer capable of subtle sonic enhancement or more obvious presence - highlighting elements of a mix without harshness or fatigue. Ideal for acoustic instruments, drums and vocals, the PTM-5A perfectly complements the PTC-2A.
 
FC70
Inspired by the legendary smooth, effortless control and uniquely musical character of the classic Fairchild 670 limiter, the FC70 adds the weight and authority of a high-end vintage mastering compressor / limiter - taming dynamics without robbing the mix of power and detail.
 
The FC70 uses state of the art DSP to emulate a fully balanced design, combined with an innovative delay-free feedback algorithm to accurately mirror analogue sidechain behaviour. The sidechain provides fast attack and program dependent release settings, together with Lateral / Vertical, Independent and Linked stereo channel modes.
 
RVB500
The RVB500 algorithmically emulates a mechanical plate reverb, still regarded as a mainstay of many recording studios, for a diverse range of effects including drum enhancement or vocal ambience - while complementing more complex or resource intensive convolution models.
Economical with system resources, the RVB500 is ideal for classic reverb effects while still leaving sufficient power available for the most complex audio workstation projects.
 
DYN500
Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. The DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources.
 
EQ500
Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the frequency response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. The EQ500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources.
 
AF2-10/M
A graphical EQ, using innovative DSP algorithms to accurately model the frequency response of analogue filters, even at close to the limit imposed by the sample rate, without high CPU demand or additional latency.
 
Up to ten bands are provided, covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range, together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.
 
All plugins are capable of mono or stereo operation, providing professional console grade processing while being economical with CPU and system resources.